Monthly Archives: June 2010

UNM Receives Energy Savings Award from EEI

EEI Presentation

UNM Pres­i­dent David Schmidly Receives Chair­mans Sus­tain­abil­ity Award

In the past two years, with the assis­tance of Lobo Energy, Inc., the stu­dents, staff and fac­ulty of the Uni­ver­sity of New Mex­ico have reduced the institution’s energy use by more than $7.5 mil­lion. As a result of this university-wide effort, UNM was awarded the “Chairman’s Sus­tain­abil­ity Award” from Energy Edu­ca­tion, Inc.

Every dol­lar we don’t spend on energy is avail­able to us to improve our facil­i­ties and add to our edu­ca­tional pro­grams,” said David J. Schmidly, UNM Pres­i­dent. “The chal­lenge is that sav­ing sig­nif­i­cant energy dol­lars requires the con­sis­tent exe­cu­tion of hun­dreds of energy sav­ing actions by hun­dreds of staff mem­bers and edu­ca­tors every minute of every day.”

To mea­sure the suc­cess of the university’s energy edu­ca­tion pro­gram, Lobo Energy’s “Energy Edu­ca­tors” and UNM Phys­i­cal Plant depart­ment tech­ni­cians track UNM’s elec­tric­ity, water, sewer, nat­ural gas and fuel oil use.

The university’s energy edu­ca­tion pro­gram has been devel­oped in tan­dem with Energy Edu­ca­tion, Inc. and is run by Lobo Energy, Inc. The pro­gram is self-funded, not requir­ing UNM to spend addi­tional money on its man­age­ment. Energy Edu­ca­tion, Inc. trained Lobo Energy’s Energy Edu­ca­tors to help imple­ment behav­ioral and build­ing sys­tem adjust­ments that help reduce the university’s over­all energy use while fos­ter­ing a sense of envi­ron­men­tal stewardship.

Media Con­tact: Ben­son Hen­drix (505) 277‑1816. e-mail: bhendrix@unm.edu

Posted in Administration, University News | |

Taos Summer Writers’ Conference Offers Free Readings July 11–17

Best-selling nov­el­ist Cristina Gar­cía deliv­ers the keynote address at the 12th Taos Sum­mer Writer’s Con­fer­ence on Sun­day, July 11, at 8 p.m. at the Sage­brush Inn Con­fer­ence Cen­ter, 1508 Paseo Del Pueblo Sur, Taos, N.M. The event kicks off a series of free, pub­lic read­ings by con­fer­ence fac­ulty, July 12–17.

Gar­cía is author of five nov­els, “Dream­ing in Cuban,” “The Agüero Sis­ters,” “Mon­key Hunt­ing,” “A Hand­book to Luck” and the forth­com­ing “The Lady Matador’s Hotel;” two works for young read­ers, “The Dog Who Loved the Moon” and “I Wanna Be Your Shoe­box;” and a poetry col­lec­tion, “The Lesser Tragedy of Death.” She edited two antholo­gies, “Cubanísimo: The Vin­tage Book of Con­tem­po­rary Cuban Lit­er­a­ture” and “Bor­der­ing Fires: The Vin­tage Book of Con­tem­po­rary Mex­i­can and Chicano/a Lit­er­a­ture.” Visit: Christina Gar­cía.

Mon­day, July 12
Jon Davis, John Dufresne, Priscilla Long and Debra Mon­roe read Mon­day, July 12, at 5:30 p.m. Davis’ poetry col­lec­tions include “Pre­lim­i­nary Report,” “Scrim­mage of Appetite” and “Dan­ger­ous Amuse­ments.” Dufresne’s nov­els include “Louisiana Power & Light,” “Love Warps the Mind a Lit­tle,” “Deep in the Shade of Par­adise” and “Requiem Mass.” Long is author of “Where the Sun Never Shines: a His­tory of America’s Bloody Coal Indus­try” and “The Writer’s Portable Men­tor.” Mon­roe is author of a mem­oir, “On the Out­skirts of Nor­mal: Forg­ing a Fam­ily Against the Grain,” and two nov­els, “New­fan­gled” and “Shambles.”

Tues­day, July 13
Jonis Agee, Jeff Davis, Min­rose Gwin and Jesse Lee Kercheval read Tues­day, July 13, at 5:30 p.m. Agee is author of 13 books, includ­ing five nov­els, “Sweet Eyes,” “Strange Angels,” “South of Res­ur­rec­tion,” “The Weight of Dreams” and “The River Wife.” Davis is author of “The Jour­ney from the Cen­ter to the Page” and “City Reser­voir.” Gwin is author of a novel, “The Queen of Palmyra,” and a mem­oir, “Wish­ing for Snow.” Kercheval is author of the mem­oir “Space,” short novel “Brazil” and poetry col­lec­tion “Cin­ema Muto.”

Wednes­day, July 14
Dorothy Alli­son, Jane Cia­bat­tari, Sarah Man­guso and Rob Wilder read on Wednes­day, July 14, at 5:30 p.m. Alli­son is author of “Bas­tard Out of Car­olina” and forth­com­ing novel “She Who.” Cia­bat­tari is author of the short story col­lec­tion “Steal­ing the Fire” and pres­i­dent of the National Book Crit­ics Cir­cle. Man­guso is author of the mem­oir “The Two Kinds of Decay,” story col­lec­tion “Hard to Admit and Harder to Escape” and poetry col­lec­tions “Siste Via­tor” and “The Cap­tain Lands in Par­adise.” Wilder is author of two books of essays, “Tales From The Teach­ers’ Lounge” and “Daddy Needs a Drink.”

Thurs­day, July 15
Jill Bialosky, Pam Hous­ton, Mark Sun­deen and Sum­mer Wood read on Thurs­day, July 15, at 5:30 p.m. Bialosky is author of the nov­els “Life Room” and “House under Snow” and poetry col­lec­tions “Sub­ter­ranean” and “Intruder.” She is exec­u­tive edi­tor and vice pres­i­dent at W. W. Nor­ton. Hous­ton is author of two col­lec­tions of linked short sto­ries, “Cow­boys Are My Weak­ness” and “Waltz­ing the Cat” and the novel “Sighthound.” Sun­deen is author of two books of cre­ative non­fic­tion, “Car Camp­ing” and “The Mak­ing of Toro,” and a cor­re­spon­dent for Out­side mag­a­zine. Wood’s nov­els are “Arroyo” and the forth­com­ing “Wrecker.”

Sat­ur­day, July 17
Annie Dawid, Joy Harjo, Hous­ton, Valerie Martínez, Daniel Mueller, Michelle Otero and Sun­deen read on Sat­ur­day, July 17, at 7 p.m. Dawid is author of “And Dark­ness Was Under His Feet: Sto­ries of a Fam­ily,” “Lily in the Desert: Sto­ries” and “York Ferry: A Novel.” Harjo’s poetry books include “She Had Some Horses,” “The Woman Who Fell From the Sky” and “How We Became Human, New and Selected Poems.” Martínez’ poetry books include “Absence, Lumi­nes­cent,” “World to World,” “A Flock of Scar­let Doves,” “And They Called it Hori­zon” and “Each and Her.” Mueller is author of a col­lec­tion of sto­ries, “How Ani­mals Mate.” Otero is author of “Malinche’s Daughter.”

For more infor­ma­tion or to find open con­fer­ence work­shop sec­tions, call (505) 277‑5572 or visit: Taos Sum­mer Writer’s Con­fer­ence. The con­fer­ence is orga­nized by UNM’s Depart­ment of Eng­lish Lan­guage and Literature.

Media Con­tact: Sari Krosin­sky, (505) 277‑1593; e-mail: michal@unm.edu

Posted in Arts & Humanities, Events | |

IT Partnership Makes ‘Shrek’ Pop

Shrek and magic deal-maker Rumpelstiltskin.

Infor­ma­tion Tech­nolo­gies at UNM is one of sev­eral part­ners in a new col­lab­o­ra­tion that brings Hol­ly­wood a bit closer to New Mex­ico. The agree­ment, through Cere­link Dig­i­tal Media Group, the New Mex­ico Com­put­ing Appli­ca­tions Cen­ter, National Lamb­daRail and Dream­Works Ani­ma­tion, pro­vides an ultra high speed link con­nect­ing New Mex­ico to Hollywood.

We have a great part­ner­ship with Hewlett Packard,” said Ed Leonard, chief tech­nol­ogy offi­cer for Dream­Works Ani­ma­tion, who was in Albu­querque recently pro­mot­ing the col­lab­o­ra­tion at a pre-screening of ‘Shrek For­ever After.’ “HP hosted a tech­ni­cal advi­sory panel about two years ago and Cerelink’s CTO (Art St. George) was there and asked if we’ve ever thought about ren­der­ing remotely in New Mex­ico. He said, ‘we’re think­ing about set­ting up some capac­ity there.’ I said, ‘We’d love to do it with you, let’s fig­ure out how to get it done.’”

The Albu­querque Gigapop, or ABQ-G, a project of UNM in col­lab­o­ra­tion with New Mex­ico Insti­tute of Min­ing and Tech­nol­ogy, New Mex­ico State Uni­ver­sity, New Mex­ico Coun­cil for Higher Edu­ca­tion Com­put­ing Com­mu­ni­ca­tion Ser­vices and the New Mex­ico State Agency of IT, pro­vides high band­width con­nec­tions between Encanto at the New Mex­ico Com­put­ing Appli­ca­tions Cen­ter, Cere­link and Dream­Works. With­out this con­nec­tion, the ani­ma­tions in “Shrek For­ever After” and “How to Train Your Dragon” could not have been ren­dered in New Mex­ico. Ren­der­ing is the process for apply­ing light and color to films.

We cre­ate visual tar­gets and visual devel­op­ment art­work that rep­re­sents how the film should look,” Leonard said. “Then you basi­cally develop com­puter algo­rithms to light and color the film under artist control.”

Mak­ing a CG ani­mated film requires a lot of tech­nol­ogy,” Leonard said. “The part­ner­ship gives us capac­ity to remotely ren­der, so we don’t have to build out expen­sive data cen­ters on our cam­pus. For our peak demand, we can actu­ally use remotely the ren­der­ing resources here.”

The GigaPop was designed and imple­mented as a high­tech con­nec­tion for research and edu­ca­tion between rural and urban insti­tu­tions in New Mex­ico. It serves as an essen­tial link for reser­va­tions, schools, hos­pi­tals and emer­gency ser­vices, reduces net­work costs for mem­bers and con­tributes to eco­nomic development.

We like this as a cost effec­tive way of ren­der­ing,” Leonard said. “There’s a lot of ben­e­fit for bring­ing it into New Mex­ico. Cost of power is a lot cheaper here. The state rebates and incen­tives, all of that adds up to Cere­link being able to offer some­thing that is quite a valu­able propo­si­tion to us.”

Media Con­tact: Steve Carr, (505) 277‑5920; e-mail: scarr@unm.edu

Posted in University News | |

Test of the UNM Siren System

This is a test of the UNM siren sys­tem.  In the event of an actual emer­gency, you would be asked to seek shel­ter indoors. Sirens are part of UNM’s com­pre­hen­sive emer­gency warn­ing sys­tem.  To find out about upcom­ing changes in regard to how you receive emer­gency warn­ings, visit: LoboAlerts

Posted in University News | |

Maxwell Museum Hosts Colorful Exhibit on Mayan Weaving

It’s an inter­est­ing and cool way to spend a hot sum­mer after­noon.  A new exhibit and book at the Maxwell Museum explores the tex­tile tra­di­tions in Zinacan­tán, a Maya com­mu­nity in Chi­a­pas, Mex­ico.  The exhibit includes the tech­niques of back­strap loom weav­ing and shows the ways the tex­tiles are used in daily life.

This exhibit will be in place through Decem­ber 2011.  Hours at the Maxwell are Tues­day – Fri­day 10 a.m. – 4 p.m.  The exhibit is free and the pub­lic is welcome.

The exhibit titled “Weav­ing Gen­er­a­tions Together: Evolv­ing Cre­ativ­ity in the Maya of Chi­a­pas” includes pho­tographs of Maya weavers in Chi­a­pas by Lau­ren Green­field, an analy­sis of tex­tile weav­ing tech­niques and hand-on activ­i­ties for families.

The exhibit doc­u­ments work by Har­vard researcher Patri­cia Marks Green­field and Carla Childs, an anthro­pol­ogy stu­dent.  They did field work in 1969 and ’70 in Naben­chauk, a ham­let of the high­land Maya com­mu­nity of Zinacan­tec in Chi­a­pas, Mex­ico.  Then 21 years later they returned to exam­ine how entre­pre­neur­ship had changed the ways in which weav­ing was taught and mar­keted.  The exhibit is accom­pa­nied by the book writ­ten by Greenfield.

This exhibit is co-curated with Green­field and the Maxwell Museum’s Cura­tor of Eth­nol­ogy Kathryn Klein, Cura­tor of Edu­ca­tion Amy Gro­chowski and Ruth Burgett-Jolie.

Media Con­tact: Karen Went­worth, (505) 277‑5627; e-mail: kwent2@unm.edu

Posted in University News | |

Tamarind Launches New Gallery with ‘Native Impressions’

To inau­gu­rate the gallery at its new loca­tion, 2500 Cen­tral Ave. SE, Tamarind Insti­tute presents “Native Impres­sions,” an exhibit of works from sev­eral spe­cial projects with indige­nous artists. The exhibit kicks off dur­ing an open house on Thurs­day, July 1, noon-4 p.m., fol­low­ing a rib­bon cut­ting at 11 a.m. It con­tin­ues through August.

The exhibit incor­po­rates work from three Tamarind projects. “Migra­tions: New Direc­tions in Native Amer­i­can Art,” funded by The Andy Warhol Foun­da­tion for the Visual Arts and the National Endow­ment for the Arts, show­cases emerg­ing Native Amer­i­can artists work­ing with a con­tem­po­rary artis­tic vocab­u­lary. The sec­ond port­fo­lio, “We Are All Knots,” includes lith­o­graphs com­pleted dur­ing a col­lab­o­ra­tion with The National Museum of the Amer­i­can Indian and the ART in Embassies Pro­gram, with the goal of broad­en­ing inter­na­tional under­stand­ing and appre­ci­a­tion for con­tem­po­rary Native Amer­i­can art. “The Trick­ster” includes hand-colored lith­o­graphs by artists from Botswana and New Mexico.

The gallery is open Monday-Friday, 9 a.m.-5 p.m. Tamarind’s new home is at the cor­ner of Cen­tral and Stan­ford. For more infor­ma­tion, call (505) 277‑3901, e-mail tamarind@unm.edu or visit Tamarind Insti­tute.

Read a story on Tamarind’s his­tory and upcom­ing 50th anniver­sary events.

Media Con­tact: Sari Krosin­sky, (505) 277‑5920; e-mail: michal@unm.edu

Posted in Arts & Humanities, Events | |

Harry Potter Comes to UNM-LA Library

A dis­play at “Harry Potter’s World: An Aca­d­e­mic View of Sci­ence, Med­i­cine, and Magic dur­ing the Renaissance”

Harry Pot­ter comes to Los Alamos this sum­mer to reveal the magic in sci­ence and his­tory. Exhibits, lec­tures and classes accom­pany a visit to Mesa Pub­lic Library, July 14-Aug. 9, by trav­el­ing exhibit “Harry Potter’s World: Renais­sance Sci­ence, Magic, and Med­i­cine,” spon­sored by the National Library of Med­i­cine and National Insti­tutes of Health with sup­port from the Amer­i­can Library Association.

The Los Alamos County Library Sys­tem hosts the trav­el­ing exhibit, curated by Eliz­a­beth J. Bland of NLM. Com­mu­nity part­ners include UNM-Los Alamos, Fuller Lodge Art Camp and the Brad­bury Sci­ence Museum.

UNM Albu­querque cam­pus Assis­tant Dean of Stu­dent Affairs Eliseo “Cheo” Tor­res will give a talk on curan­derismo or folk heal­ing tra­di­tions in Mex­ico and the South­west at 7 p.m., Thurs­day, July 22, at Mesa Pub­lic Library. Pho­tographs of curan­deros at work will com­ple­ment the trav­el­ing exhi­bi­tion at Mesa Pub­lic Library.

Harry’s first stop is the UNM-Los Alamos Library, where “Harry Potter’s World: An Aca­d­e­mic View of Sci­ence, Med­i­cine, and Magic dur­ing the Renais­sance” is on dis­play through Aug. 27. In keep­ing with a uni­ver­sity set­ting, the exhibit con­cen­trates on “a more aca­d­e­mic point of view,” said UNM-LA Library Direc­tor Den­nis Davies-Wilson. Davies-Wilson and UNM-LA Library staff mem­ber Emily Veenstra-Ott curated the exhibit.

We chose to focus on sci­en­tific inven­tions, med­ical devel­op­ments and prac­tices, and philoso­phies and beliefs sur­round­ing occult sub­jects such as magic and witch­craft dur­ing the Renais­sance,” Davies-Wilson said.

If more proof were needed that the Harry Pot­ter books by J. K. Rowl­ing are not just for kids, this exhibit pro­vides it. Although the books are a fan­tasy about Harry’s adven­tures at Hog­warts School of Witch­craft and Wiz­ardry, his world has its roots in Renais­sance magic, sci­ence and med­i­cine. The exhibit includes a model of a Renais­sance tele­scope, tarot cards, and other visual adorn­ments, but this exhibit is not just a pretty face. Art­fully designed infor­ma­tion plac­ards impart a cor­nu­copia of facts about how sci­ence grew out of myth in the Renaissance.

Harry Pot­ter fans will dis­cover, for exam­ple, that the fic­tional wiz­ard Nico­las Flamel and his exper­i­ments to cre­ate a Philosopher’s Stone pro­vid­ing users with such gifts as immor­tal life are based on the real Nico­las Flamel. The search by Flamel and other alchemists for the Philosopher’s Stone may have been fruit­less, but their exper­i­ments were influ­en­tial in the cre­ation of mod­ern chemistry.

Books on Renais­sance sci­ence, magic and med­i­cine are part of the visual dis­plays. Other books from the library’s col­lec­tion about these sub­jects as well as books about the Harry Pot­ter sto­ries and the Harry Pot­ter sto­ries them­selves are also on dis­play for brows­ing and checkout.

For chil­dren, UNM-LA offers classes such as Potions 101 on Fri­day, July 30, and Crys­tals on Fri­day, July 23, pro­vid­ing the aspir­ing wiz­ard and sci­en­tist with hands-on learn­ing as well as fun. See all the classes for chil­dren and teens at UNM-LA or call Com­mu­nity Edu­ca­tion at (505) 662‑0336.

Con­tact: Bon­nie Gor­don (505) 661‑4691), bjgordon@unm.edu

Posted in Arts & Humanities, Events | |

Mechanical Engineering Professor Tariq Khraishi Builds a Professional Journal

Tariq Khraishi

Asso­ciate pro­fes­sor of Mechan­i­cal Engi­neer­ing Tariq Khraishi has been appointed as Edi­tor in Chief of the “Inter­na­tional Jour­nal of The­o­ret­i­cal and Applied Mul­ti­scale Mechan­ics or IJTAMM.

IJTAMM is a new jour­nal that just pub­lished its third issue.  A spe­cial fea­ture of the jour­nal is the hon­orary list of must-read papers from each issue selected by the edi­to­r­ial staff.  To view the jour­nal visit: IJTAMM.

Khraishi says “IJTAMM is the only jour­nal of its kind to actu­ally focus on mechan­ics research that bridges the dif­fer­ent length and time scales, from the pico or nano to the macro.  It spans con­tri­bu­tions from the­ory, mod­el­ing and exper­i­ments.  Mod­ern sci­ence and engi­neer­ing chal­lenges can only be met when true mul­ti­scale stud­ies are performed.”

The accept­able rate for the jour­nal has so far been less than 50 per­cent, an unusual per­cent­age for a new pub­li­ca­tion.  The jour­nal is pub­lished by Inder­science, a com­pany which pub­lishes dis­tin­guished aca­d­e­mic, sci­en­tific and pro­fes­sional journals.

Media Con­tact: Karen Went­worth, (505) 277‑5627; e-mail: kwent2@unm.edu

Posted in Academics & Faculty, Research, University News | |

UNM Bookstore Holds Red Hot Sale

The UNM Book­store on main and north cam­pus, holds a Red Hot Sale Thursday-Friday, July 1–2. Get great sum­mer sav­ings with 30 per­cent off select base­ball caps, 25 per­cent off select water bot­tles (main cam­pus only), and 20 per­cent off gen­eral books, with Lobo ID, Also at the main cam­pus Book­store, take 50 per­cent off UNM postcards.

Media Con­tact: Car­olyn Gon­za­les, (505) 277‑5920; e-mail: cgonzal@unm.edu

Posted in Events | |

What Bard Through Yonder Railroad Speaks?

Nick Salyer per­forms in Shake­speare on the Rail.

When William Shake­speare wrote, “All the world’s a stage,” he couldn’t have had a mov­ing train in mind, but that’s exactly where scenes from his plays will appear this summer.

Stu­dents from UNM’s Col­lege of Fine Arts teamed up with the New Mex­ico Rail Run­ner to increase week­end rid­er­ship while bring­ing Shake­speare to new audi­ences. The group per­forms every Sat­ur­day, June-August, on north­bound trains depart­ing down­town Albu­querque at 2:38 p.m. and south­bound trains depart­ing the Santa Fe depot at 4:32 p.m.

Shake­speare on the Rail is site-specific the­atre, which “takes place in non­tra­di­tional the­atre spaces like the Rail Run­ner,” said Lau­ren Albon­ico, direc­tor and grad­u­ate stu­dent in the­atre edu­ca­tion and out­reach at UNM.

The scenes fit within the con­text of a train, so we’ve taken the scenes out of the con­text of their orig­i­nal plays and the char­ac­ters are like the char­ac­ters you would encounter on the Rail Run­ner,” she said. “We use the poles, and you use every lit­tle nook and cranny that is spe­cific to what­ever site it is. You take full advan­tage of all that.”

The first cast, per­form­ing love scenes from “As You Like It,” “Much Ado About Noth­ing” and “Romeo and Juliet,” are the­atre majors Nick Salyer, Andrew Leith and Julia Har­ris and art stu­dio major Christina Slyter. Sarah White, the­atre edu­ca­tion and out­reach, is assis­tant direc­tor and Nicee Brown, the­atre, is stage manager.

To be the first team to bring it to Albu­querque is really spec­tac­u­lar,” White said.

Cast and crew say the con­tem­po­rary set­ting makes Shakespeare’s verse more acces­si­ble. “It’s still in this Shake­spearean world, but it’s set on the train, so it’s mod­ern and fun,” Har­ris said.

The close quar­ters on the Rail Run­ner also affect player-audience inter­ac­tion. “You feel like you’re one with the char­ac­ter because you’re so close to them,” White said. “You can under­stand the lan­guage because you’re in it with them.”

Instead of hav­ing that fourth wall between you and the audi­ence of a tra­di­tional the­atre, the fourth wall becomes mal­leable,” Leith said. “It’s going to be inter­est­ing, the inter­ac­tion with peo­ple who may or may not know that we’re act­ing out Shake­speare on the train.”

In July per­for­mances fea­ture comedic scenes and in August scenes of treach­ery and deceit. Per­for­mances are free with train fare on the first floor of the Rail Runner’s “Bard Car,” behind the loco­mo­tive. The project is funded by UNM’s Depart­ment of The­atre and Dance.

Posted in Arts & Humanities, Events, University News | |