Children’s Opera ‘Shoes for the Santo Niño’ Premiers at NHCC

The children’s book, “Shoes for the Santo Niño” goes from printed page to stage when Peggy Pond Church’s 1930s era book comes to life.

Four per­for­mances are sched­uled at the National His­panic Cul­tural Cen­ter (NHCC): the world pre­miere, on Fri­day, Dec. 16 at 7 p.m., fol­lowed by per­for­mances on Sat­ur­day, Dec. 17 at 2 p.m. and 7 p.m., and Sun­day, Dec. 18 at 2 p.m. Santa Fe per­for­mances are set at the Lensic Per­form­ing Arts Cen­ter. The first is on Fri­day, Jan. 6 at 1 p.m. in honor of the 100th anniver­sary of New Mexico’s state­hood to be cel­e­brated that day. Sub­se­quent per­for­mances are sched­uled Sat­ur­day, Jan. 7 at 3 p.m. and 6 p.m.

NHCC and the Lensic are pre­sent­ing part­ners for the project. Most parts will be per­formed by singers in the UNM Children’s Cho­rus, with adult roles played by UNM voice stu­dents. “This will be the first time the Children’s Cho­rus gets to per­form a real opera,” said Regina Car­low, Children’s Cho­rus director.

The 35 minute work to be con­ducted by Bradley Elling­boe, calls for two adult soloists, three chil­dren, a cham­ber orches­tra, and UNM Children’s Cho­rus, pre­pared by Car­low and Julia Church Hoff­man. The project is part of a new ini­tia­tive by The Santa Fe Opera to present impor­tant musi­cal works that fam­i­lies can enjoy together.

Two-time Tony award win­ner Brian J. Bus­tos, a UNM alum, and part time Santa Fe Opera designer, is the pro­duc­tion designer. Kath­leen Claw­son is stage director.

This joy­ous piece, com­mis­sioned by the UNM Depart­ment of Music in the Col­lege of Fine Arts to com­mem­o­rate 100 years of cho­rus at UNM, depicts the impor­tant role of the Santo Niño de Atocha as part of the tra­di­tional cul­tural fab­ric of north­ern New Mex­ico in both His­panic and Native Amer­i­can fam­i­lies. The tale is of Julianita and the Santo Niño – the Santo is known as an advo­cate for heal­ing, pri­mar­ily of chil­dren, and many believe that he wears the shoes left by pil­grims who visit his shrines to walk abroad and heal sick chil­dren while they sleep.

Peggy Pond Church was a writer and poet inspired by her love of north­ern New Mex­ico. In His­panic and Native Amer­i­can tra­di­tions, peo­ple pray to the Santo Niño for heal­ing and pil­grims leave children’s shoes at his shrines. “Shoes for the Santo Niño” tells the story of Julianita, a daugh­ter of a large fam­ily who brings shoes to the shrine and finds the Santo Niño awake.

Church Hoff­man redis­cov­ered her grandmother’s book and shared it with Car­low, her UNM col­league. Both thought it would make a great children’s opera.

Internationally-renowned com­poser Stephen Paulus was com­mis­sioned “for the beau­ti­ful way he writes for children’s voices” and for his love of New Mex­ico, Car­low said. The libretto was writ­ten by Andrea Wal­ters, direc­tor of edu­ca­tion and com­mu­nity pro­grams for the Santa Fe Opera.

Car­low said this is the first major col­lab­o­ra­tion between the Children’s Cho­rus and the Santa Fe Opera, which also pro­vided pro­duc­tion sup­port. They pre­vi­ously worked together on sum­mer opera camps and a 30-minute impro­vised opera.

Bradley Elling­boe, music and choral direc­tor, said that the National His­panic Cul­tural Cen­ter plans to run Shoes in rota­tion with Nut­cracker and the Mes­siah. “They are full part­ners in this project. They have gen­er­ously pro­vided rehearsal space free of charge,” Elling­boe said.

Media Con­tact: Car­olyn Gon­za­les (505) 277‑5920; e-mail: cgonzal@unm.edu

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