The Mexican Quetzalcoátl’ Focus of LAII Lecture

Cyn­thia Casas, vis­it­ing assis­tant pro­fes­sor in the Depart­ment of Span­ish & Por­tuguese, presents, “The Mex­i­can Quet­zal­coátl (The Feath­ered Ser­pent): Cul­tural Hero and Mod­ern Aes­thetic” from noon to 1 p.m. on Tues­day, Feb. 19 at the Latin Amer­i­can & Iber­ian Insti­tute. The pre­sen­ta­tion is co-sponsored by the Latin Amer­i­can & Iber­ian Insti­tute and the UNM Stu­dent Orga­ni­za­tion for Latin Amer­i­can Stud­ies (SOLAS). This event is free and open to the public.

Casas’ lec­ture is an inquiry into the abun­dant and illu­mi­nat­ing appear­ance of the Feath­ered Ser­pent or La Ser­pi­ente Emplumada Quet­zal­cóatl within a mod­ern cul­tural and lit­er­ary con­text. This guardian of civ­i­liza­tion, re-creative power, wind and pen­i­tence (in his form as a priest-king) main­tains his pres­ence across Mex­i­can his­tory dat­ing back to ancient sources. The recur­ring ref­er­ences to the Feath­ered Ser­pent within mod­ern Mex­i­can lit­er­a­ture point to a pre­oc­cu­pa­tion with his sig­nif­i­cance within the Aztec/Mexica cos­mo­vi­sion as well as out­side of it.

The foun­da­tional value of this Indi­an­ist pre­oc­cu­pa­tion in the mod­ern Mex­i­can cul­tural and lit­er­ary imag­i­na­tion oper­ates along a dis­tinct par­a­digm sev­ered and extracted from Aztec mythol­ogy and pre-Hispanic pri­mary sources. As dis­con­nected as this par­a­digm may be, it still heav­ily depends upon Aztec images and aes­thetic leit­mo­tifs trans­ferred into a mod­ern frame­work on the part of Mex­i­can writ­ers, pri­mar­ily Octavio Paz and José Vas­con­ce­los, who inscribe this inher­ited neo-Aztec aes­thetic into a polit­i­cal, his­tor­i­cal, cul­tural and ide­o­log­i­cal vision.

The dis­cus­sion revolves around the intel­lec­tual and cul­tural sym­bol Quet­zal­cóatl within Mex­i­can lit­er­ary and cul­tural pro­duc­tion as an arche­typal emblem of rev­o­lu­tion, change, ren­o­va­tion and a vision toward the future while main­tain­ing the anchor of Mex­i­can ‘tra­di­tion’ based on an orig­i­nary myth­i­cal source which resists a euro­cen­tric par­a­digm of thought. These writ­ers employ this inher­ited aes­thetic, specif­i­cally con­cen­trated in Quet­zal­cóatl as a medium to exer­cise a polit­i­cal and ide­o­log­i­cal cri­tique of Mex­ico after the Revolution.

Casas received her Ph.D. in 2012 from Stan­ford Uni­ver­sity. Here, she coor­di­nated the Span­ish for Home-Background Speak­ers pro­gram (SHBS) and taught Her­itage Span­ish. She also taught Span­ish as a for­eign lan­guage at Stan­ford and pre­vi­ously taught French at UNM. Her back­ground in Com­par­a­tive Lit­er­a­ture and Cul­tural Stud­ies com­ple­ments her research inter­ests in inter-cultural and glob­al­iz­ing processes as well as trans-historical for­ma­tions within social, polit­i­cal and lit­er­ary spheres.

In addi­tion to cul­tural the­ory and crit­i­cal dis­course, Casas is also inter­ested in the appear­ance of Mesoamer­i­can myth and iconog­ra­phy in mod­ern Mex­i­can lit­er­a­ture and their con­tri­bu­tion to poetic/intellectual aes­thet­ics and nation­al­is­tic dis­courses. Her research areas include nine­teenth and twentieth-century Latin Amer­i­can lit­er­a­ture; Mex­i­can and Chi­cano lit­er­a­ture; analy­ses of cul­tural pro­duc­tion, social move­ments, dis­course and ide­ol­ogy; Mesoamer­i­can mythol­ogy and anthro­pol­ogy in Mod­ern Latin American/Chicano lit­er­a­ture and cul­ture; and the Latin Amer­i­can van­guard along­side artis­tic, intel­lec­tual and cul­tural discourses.

Media Con­tact: Car­olyn Gon­za­les (505) 277‑5920; email: cgonzal@unm.edu

Posted in Academics & Faculty, Events |